Recent Splats according to Miz Yank

A love letter to the house that has heart

My parents put their home of 45 years on the market on Thursday, leaving me with a burning question: will the new owners let me raid the pantry? Because let’s face it: my decades-long habit of walking through that very same door and heading straight for the kitchen will be tough to break.

Kidding aside, I’m glad my parents decided to downsize and to part with the house “while they’re still friends,” as my sister Suzi put it. She’s right. Mom and Dad have earned a break from maintaining four bedrooms and three levels’ worth of a house, including a driveway that required shoveling six days ago. But it still felt weird to see the listing on a real estate website.

The description of the property included factual stuff –four-bedroom Colonial in Orange Hunt Estates, built in 1972, carport, updated kitchen with granite counters and maple cabinets, hardwood floors on two levels, updated baths, finished basement, central air, .26 acre yard — sterile information buyers want to know about the structure that’s been our house. But it doesn’t tell them a thing about our home.

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Fishing pole seeing some great Outer Banks action…

The carport, for example, is bounded on one side by a brick wall against which my three siblings and I hit tennis balls and kicked soccer balls for hours, leading our parents to consume horse-tranquilizing amounts of Tylenol. The back wall of the carport has a shed that held a fleet of bikes, including the first one I ever rode, as well as a structurally unsound purple thing we kids saw as the Bike of Last Resort. The purple wobbler tried to kill me and my sister Lynne on two separate occasions, leaving me with a mild concussion and her with road rash.

Rafts, fishing poles, crabbing nets and other essentials we took on our week-long trip to North Carolina’s Outer Banks every summer also lived in the shed, as did the rake my father took out every fall. We kids recognized the appearance of the rake as a sign that we were supposed to help bag up the leaves that blanketed our back yard, a chore we hated. We knew better than to whine –that never worked with Dad –so we punished him with ineptitude instead. The hand-eye coordination that enabled us to hit baseballs and tennis balls with aplomb mysteriously vanished the moment we bent over a pile of leaves.

“When you kids don’t want to do something,” Dad would say/mutter/yell, our cue to slink off in silent victory.

Though we hated the leaves, we loved the backyard. It was our soccer field, gridiron, and baseball diamond, and on summer nights it formed part of a flashlight tag venue that spanned two streets. No real estate listing would mention that. Or tell you how, every so often, a baseball or soccer ball would go crashing into the kitchen through the window over the sink.

We ate dinner in the kitchen as a family almost every night. In the early years, we had a formica table that sagged in the middle like a swaybacked mule. If a person seated at one end of the table needed something at the other, we didn’t bother to pick up the item and pass it. We just gave it a good shove and watched it slide to the other end like an air hockey puck.

We had a more majestic ensemble in the dining room for special occasions like Thanksgiving, Christmas and Easter. The company of assorted relatives and friends often extended our holiday table all the way into the living room. Whether feeding six people or thirty, Mom would take her consistently outstanding cooking up a notch, producing perfect turkeys, gorgeous pies, and our beloved Easter pizza gaina. But what I remember most of all are the stories we told and the laughter that went on for hours.

And what about the family room, where we napped, read the newspaper, and watched the Super Bowl? The listing takes note of the fireplace but not the fact that we barely used it for a fifteen-year stretch because I had guinea pigs that lived in cages on the hearth. I’d always wanted a dog but my parents refused, opting to let me get domesticated rodents instead. Because I treated the pigs like dogs–there was even an unfortunate episode involving a leash — they lived forever. Mom and Dad probably should’ve gone for the dog.

Pierre-Auguste_Renoir,_1892_-_Two_Young_Girls_at_the_Piano (1)

At some point, Mom hung a framed copy of Renoir’s Young Girls at the Piano above our old Kimball. The girls, and their poses, reminded her of me and Suzi. (Renoir Image courtesy of Wikipedia)

Then there’s the living room. My brother, L.J., took trumpet lessons from a family friend there, and that’s where I learned how to play the piano, a skill that earned me the occasional reprieve from the dinner dishes. Suzi played a bit too, so sometimes we teamed up for throwback duets like “Tea for Two” and “Heart and Soul.” We also hosted dozens of sing-alongs in the living room, though my sister Lynne’s unforgettable, operatic renditions of “Swans on the Lake” always took place from the landing leading upstairs.

Speaking of the upstairs, both full baths are up there. Because Mom and Dad claimed one –something we kids regarded as an injustice but now recognize as a small and well-deserved concession to privacy–the four of us were expected to share the other. We did not get equal time, and it’s no coincidence that Suzi looks good in pretty much all of her childhood photos. Just sayin’.

All four bedrooms are upstairs, too. Mom and Dad once again rudely claimed one for themselves, leaving three for us kids. Until 1976, that worked just fine, but then my brother was born. This destroyed any hopes Lynne had of getting her own room, which probably explains why the one she and I shared for years radiated all the easy calm of the Gaza Strip. We fought constantly and forged short-lived truces of convenience, such as the time we jointly lobbied our parents to divide the room with a brick wall. And there was the color scheme–pale green walls, a fuchsia rug and light yellow spreads on our canopy beds– for which I am chiefly to blame. What was meant to achieve a “Rainbow Connection” effect looked instead like an acid trip.

Suzi’s room, a lavender oasis, was where she honed her clarinet-playing skills until she was one of the best in the state.

L.J. also had a room to himself and went on to play professional baseball, so just imagine what Lynne and I could have become if only we’d had our own rooms. But I digress. The wall above L.J.’s bed was decorated with a huge circle comprised entirely of pennants, most from the Philly teams our family can’t seem to abandon. My brother gave the hallway outside his bedroom a unique accent one day when, while doing strength exercises with a stretchy rubber tube that had a baseball attached to one end, he accidentally let go of the baseball and sent it flying right through the drywall.

Next to L.J.’s room was the laundry chute, a feature that not only made a mundane chore easier but doubled as an intra-house communication device.

Any contents we sent down the chute landed in a box in the basement, the space where we wiled away happy hours playing with the Death Star and Millennium Falcon, holding marathon ping-pong tournaments, creating communities out of Legos, and watching quality programming like “The A-Team” once a second TV set arrived.

Things weren’t always perfect in our house, though. We occasionally slammed the doors in anger. And my siblings and I sometimes begged for more room, never realizing that sharing space so often, unwittingly creating lasting memories together as we went, is precisely what has made us the best of friends.

That house is the place where we took prom pictures, relaxed during Spring and Fall breaks, celebrated my parents’ 25th anniversary, and showed all seven of my siblings’ kids how to yell into the laundry chute. It’s a place where people love to gather, where friends don’t hesitate to drop in unannounced.

Unpretentious outside and rock-solid inside, that house, and the two people who bought it in 1972, gave us an incomparable luxury: a place to feel centered.

It is the only place our family of six has ever called home. Though it’s hard to say goodbye, we and the house part as far more than friends. It has held the heart of our family for 45 years, and we will always love it.

Finding consolation in a console

My parents have embarked on a major downsizing project, an exercise in sorting through both the tangible stuff and the memories that have accumulated in the house they’ve lived in for the past 45 years.

That house, a center-hall colonial, may seem like standard-issue suburbia– half-brick/half-siding with four bedrooms and two baths upstairs, family room, kitchen, living room, dining room and powder room on the main level, and a basement — but it’s really a family treasure chest in disguise. And boy, has that house worn some disguises.

Built in 1972, the house made its debut in Orange Hunt Estates clad in pale green siding with forest green shutters, its second-story overhang propped up with a set of square, pale green pillars. The front door opened into a foyer covered in whitish wallpaper with an ornate floral pattern in olive green and gold. If you left that jungle and headed to the left, you entered the family room, which welcomed you by rolling out the multi-colored shag carpet, with patches in various shades of brown, black, rust and mustard. That carpet not only camouflaged a multitude of spills but tolerated years of me and my siblings horsing around, playing board games with our friends, building card houses, watching sitcoms on our rabbit ear-antennae’d TV when we were allowed to (which was infrequently), and tearing open presents on Christmas morning.

A mustard-colored recliner Archie Bunker would have envied sat in one corner of the family room, complemented by a hanging lamp whose shade, as I recall, was white with multi-colored spots. Dad liked to read The Washington Post in that chair, and all of us liked to curl up there when it was vacant. The pièce de résistance in the family room, furniture-wise, was a sofa covered in an off-white nubby fabric patterned with vertical green stripes of varying widths. The sofa lent itself to naps, in part because it was the most comfortable piece of furniture in the history of furniture but also because the color scheme in that room made you want to lie down and close your eyes in self-defense. I don’t remember Mom spending a whole lot of quality time in either the recliner or on the sofa, probably because she was too busy making sure we kids didn’t kill ourselves or each other, but I digress.

If you’d headed right instead of left when you walked through the front door in 1972, you’d have found yourself in the living room. It also had a shaggy carpet, but in a neutral monochrome to let everybody know that it had some class. An octagonal wood combination table/cabinet sat on that carpet, flanked by two wingback chairs that, in a decorative leitmotif, bore the same green-and-gold floral pattern as the foyer wallpaper. In case you’re wondering what lived inside the octagon, Mom and Dad stored the liquor there. With four kids spanning eight years, I can understand their wanting ready access to booze.

The living room led to the dining room, whose early decor I don’t really remember because of a glorious console stereo that sat against one wall and stood out from everything else. Six feet of wooden chic, the console held a turntable, an AM/FM radio, and a whole lot more. That console was Christmas, giving us the smooth sounds of Johnny Mathis’s “Winter Wonderland” while we decorated a tree we’d cut down at a farm in the Virginia countryside. The console let our family follow Barry Manilow on countless musical trips to the hottest spot north of Havana and comforted us with the knowledge that Barry couldn’t smile without us. When Barry and Johnny weren’t hogging up the rotation, Simon and Garfunkel and Billy Joel made regular appearances on the turntable, too. Then the ’80s came and the console gave us Hooked On Classics, because it knew the only thing that could make Beethoven’s Fifth sound sound better was a disco beat.

 

The house changed disguises over time: wallpaper came down in favor of neutral paint, the incomparable green-striped couch was swapped for something bluer and prettier but not quite as comfortable, the shag carpet made way for plush brown in the family room and a nice Persian rug in the living room, and the square columns yielded to round white ones. We also got a piano, which meant the console stereo was stereo3relegated to the basement. But that didn’t stop it from cranking out the songs we lived by, songs that made us dance, sweat, swoon and laugh. Long after new-fangled technology like boomboxes, CD players and shelf systems had arrived and doomed the console to obsolescence, I still regarded it as a monument to my family’s happiness and never tired of seeing it.

The minute I realized Mom and Dad were serious about downsizing, I lay claim to that console, and I moved it into my house last weekend. It lives in the basement, just like it did my parents’ house, and it’s still home to songs by Sinatra, the Kingston Trio, and the Village People, as well as soundtracks from the Muppet Movie, Grease and Annie, and albums like Free to Be You and Me and The Stranger.

Sure, it needs a new needle and hasn’t cranked out any tunes in a while, but that console can still crank out dozens of happy memories just by keeping me company. If that’s not a family treasure, I don’t know what is.